Legal Commentary

Typography matters, especially for lawyers

By Ernie Svenson

I've been reading Matthew Butterick's excellent book: Typography for Lawyers, which explains how to use typography to create polished, persuasive documents. Butterick has a website by the same name that includes most of the information in his book. To say that I'm enjoying the book is a vast understatement.

Butterick's premise is that typography in legal documents should be held to the same standards as any professionally published material, because legal documents are professionally published material. There's a wealth of information that I wish I had had access to long before now. Many times in the past I would pull a typography book off the bookstore shelves, but invariably those books were not geared to the legal profession. Learning principles was nice, but I wanted practical information.

That's why Typography for Lawyers is such a godsend.

Butterick's book explains how set up firm letterhead, legal memos, and briefs. He goes so far as to explain what font size and color to use in bates-numbering. He even explains how to set up bates-numbering in Adobe Acrobat.

Butterick graduated magna cum laude from Harvard where he studied typography. More recently, he went to UCLA law school and became a lawyer.

He's an excellent writer, and makes his case for the importance of typography with crisp precision. Any lawyer who reads this book and continues to ignore the Butterick's good advice is foolish, or lazy. Or both.

After reading the section on the problems that most trial court briefs present, I got to work and retooled my template for federal court pleadings. Like many people, I had fallen prey to pretty much every hackneyed method of creating caption pages, including the use of asterisks to create divisions between table elements. Below is a screenshot of 'Before' and ?After?:

Bryan Garner wrote the Foreword to the book, and declared that Typography for Lawyers "is fully devleoped" and "reads like a fifth edition." I couldn't agree more.

I wish this book had been around when I started practicing as a solo lawyer. Trying to figure out how to create a nice modern looking letterhead was frustrating, and so I wound up with something kind of lame. Butterick gave me so excellent tips on fonts, layout, and paper that works well with a small laser printer.

Inspired by Butterick, I started delving into the settings of my word processing program (Apple Pages) and tweaked things more to my liking. It took awhile to get everything set, but it was worth it. Now, my letterhead looks like this:

I would show you the letterhead I was using before, but I'd be embarrassed. At least I didn't pick Stencil font like the example that Butterick shows us.

Typography for Lawyers costs $25 over on Amazon, which is a bargain. Assuming you care about how your legal documents look, that is.

Full post as published by Ernie the Attorney on January 03, 2011 (boomark / email).