The Plays of Virgina Tech Shooter Cho Seung-Hui: Richard McBeef and Mr. Brownstone
USLaw
Virginia Tech’s Cho Seung-Hui was known by few on campus until yesterday, but those who knew him from English class knew an eerily quiet, disturbed student who wrote creepy plays about families throwing hammers and chainsaws at one another. Plays creepy enough to cause his creative writing instructor to recommend counseling.
USLaw Celebrity Justice has obtained the violent text of Cho Seung-Hui’s play Richard McBeef. (Bookmark to be alerted to other plays and writing currently being processed.)
Richard McBeef ACT ONE SCENE 1 (It is morning. The sun is s shining through the windows of the kitchen. John enters the kitchen, grabs a cereal bar, and opens it. Richard I~1cBeef is sitting in the kitchen with his legs crossed reading the newspaper.) RICHARD Hey John. (He forces a smile at him.) JOHN What’s up, Dick! (He frowns.) RiCHARD Try dad. JOHN You ain’t my dad and you know it, you Dick. (John chews on the cereal bar angrily.) RICHARD Come on, John. Sit down. 1’~e need to have man-to-man talk. (Richard pulls a chair next to him from under the table.) JOHN Man—to—man up your ass1 bud! (John sneers Lhen proceeds to the living room and turns on the TV. Richard follows him, sits down, and faces him.) RICHARD I may not be your biological father, but I’m your new father. We live under the same roof. We really need to get along. Come on, son, give me a chance. (Richard gently rests his hand on John's lap.) hand on John’s lap.) JOHN What the hell are you doing! (John slaps Ricahrds's hand.) JOHN (Cont'd) What are you, a Catholic priest! I will not be molested by an aging balding overweight pedophilic stepdad named Dick! Get your hands off me you sicko! Damn you, you Cathloic priest. Just stop it, Michael Jackson. Let me guess, you have a pet named Dick in Neverland ranch and you want me to go with you to pet him1 right? (He sighs and ignores the comment.) What is it you want from me, what do you want me to do? Why are you so angry at me--
JOHN Why am I so angry at you! Because you murdered my father so you can get into in my morn’s pant! RICHARD Now hold on right there mister. It was a boating accident. I did everything I could to try to save your father. JOHN Bullshit! Are you always full of slAt, McBeef? I can see that you are by the extra fat you have packed on! You MURDERED my father and covered it up! You committed a cons irac . Just like what the overninent has done to John Lennon and Marilyn Monroe. RICHARD WHAT? WHAT? (Frowning, he catches a glimpse of an old tabloid titled “The Cover-up of Marilyn Monroe and John Lennon! !“) JOHN You once worked for the government. As a janitor, at least. You hated the fact that my niom was with my dad. You knew my morn was too good for my father. So you took him out and stole her, you son of a bitch~ RICHARD St— JOHN No, DickJ You shut the hell u and listen to me. RICHARD You- JOHN Me what[ You want me to stick this remote control up your ss, buddy~ You ain’t even worth it man. This remote was five bucks. You are such a-- RICHARD NOW THAT’S ENOUGH. (Richard raises his hand to strike his stepson, but before he does John’s mom comes down the stairs.) SUE Oh my godL What’s going on? (She covers and hu s John and ushers him to the other end of the couch.) What are you doing to m son! You said ou would have a nice chat to get on terms with him. And this is what I catch you do~ What kind of step—father are you? Pretending to be nice to hi~ with a take smile on your chubby facet Tell me, what were you trying to do to him. You were about to hit him! Damn you, Richard! RICHARD He was— SUE I don’t want to hear it~ (Sue tells John to go up to his room. But he observes the spectacle half way up the staircase.) RICHARD I swear Sue! I tried talking to him. He called me a son of a bit— SUE How dare you[ John would never—NEVER--say such a thing, my poor little pocey pooey boy! He lost his father just a month ago. Show some compassion! Some stepfather! JOHN He tried to touch my privates. SUE (She gasps) Holy shxt! Oops. Sorry John. Dick, You son of a b— (She peeks at John. She a r aches Richard and sla s Richard in the head multiple times. Taking off her shoes, she hits him hard.) RICHARD (He brushes Sue with his large arm and build.) Sue Sue Sue. Listen to me! (continued)









Trackback: 1.
Filed Under Evidence Room, Citizen Justice, Virginia Tech Shooting | (trackback)
Comments
2 Comments so far

















The anger in this is so vivid. I could sense it while reading it. It’s not exactly good, but the things Cho did in life weren’t very good either.
It would have been better if instead of launching a massacre on his campus he channelled more negative energy into being a playwright. What he’s written here shows some potential as a writer that could have been improved, but sadly things did not happen that way.
RIP Virginia Tech victims, and God Bless you all.
i think this play is really great. creative writing class is there for a reason. he had an open and unusual mind in which he wanted to express it. i do not think this had any affect on the shootings at virginia tech.